Matter, as the principal component of bodies—capable of taking on all kinds of forms and undergoing change, characterized by a set of physical or chemical properties perceptible through the senses and their states of transformation—serves as a central axis of this research. These alterations, sometimes imperceptible and other times visible, form part of the investigation.

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Geometry is an abstraction, a language that attempts to decipher certain structures of reality— a metaphor for the dimension of the cosmos. Within this “simulated code,” the elements function as symbols. Josué Romero explores, as formal exercises, the multiple correspondences between them. (1)

These exercises therefore have a descriptive tone, as they arise from immersion in the mathematical theory of forms (the four-color theorem, minimal geometric elements, and geometric loci), while also reflecting on the alphabet of the line; the cartography of space; the volume and states of matter; and metric space.

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Here, we find a precise translation of a graphic reasoning on how the irregularity of form, in a discreet and silent manner, permeates absolutely everything. (2)

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1. Anita García, text “Discrete Geometry of the Irregular.”

2. Anita García, text “Discrete Geometry of the Irregular.”